The signs of the 40th anniversary are everywhere this year. In fact, a student of mine brought me in a Woodstock "coozie" from Target. Apparently Target has a big display of Woodstock items and apparel to coincide with the anniversary. This summer also includes a re-release of the original documentary and album, a 40th anniversary concert in Bethel, as well as a full-length Hollywood feature film.
Over the course of this summer, I'll be attending several concerts (including the anniversary show) which feature some of the original Woodstock artists. I'll be updating the blog with pictures, reviews, and opinions on my travels over the next couple months. I feel pretty fortunate to be living during this time period where many of the artists who gave a voice and soundtrack to a generation are still alive and performing.
To begin, here are a few photos from the Crosby, Stills, and Nash concert I attended this past weekend along with a review from the Boston Herald:
CSN perform in perfect harmony
By Brett Milano / Music Review
Tuesday, June 16, 2009
Early in his show on Sunday with Stephen Stills and Graham Nash, David Crosby explained why he hadn’t told any political jokes yet.
“The problem is,” he said, “that with Bush out of office we’ve lost half of our best material.”
That’s one possible reason Crosby, Stills & Nash were feeling upbeat. In any case, the veteran trio is apparently feeling a second (or third or fourth) wind. Their harmonies were solid over two long sets, which hasn’t always been the case (after some health problems, Stills’ high register is back from the dead).
They seemed comfortable with each other, a change from recent years when Stills and Crosby/Nash seemed in different orbits.
And yes, there were still plenty of political songs, from Crosby’s Woodstock-era “Long Time Gone” to Nash’s 9/11-inspired “In Your Name.”
To some extent, a CSN show is always about the reassuringly familiar. Much of their 1969 debut album got played as always, and the night closed with the usual singalong on “Teach Your Children.”
But Sunday’s set had a few surprises. For one thing, it opened with a long stretch of acoustic material, which CSN usually save for the middle. There were catalog surprises, including a pair of Buffalo Springfield gems (“Bluebird” and “Rock & Roll Woman”) that Stills hasn’t performed regularly in decades. And there were a half-dozen songs from an all-covers album that the group plans to record with producer Rick Rubin later this year.
Cover songs may seem a bizarre move for a group that’s known largely for its songwriting. Some of Sunday’s choices - Dylan’s “Girl from the North Country,” The Rolling Stones’ “Ruby Tuesday” and Tim Hardin’s “Reason to Believe” - have been done to death already. But these oldies served to return the group to its acoustic-trio roots, and fit in surprisingly well after the first album’s “Helplessly Hoping” and “You Don’t Have to Cry.”
The group’s enthusiasm for these cover songs seemed high (Crosby shouted “Surprise!” after every one) and the best-performed of them all, the Grateful Dead’s “Uncle John’s Band,” was also the best-received song of the night. With apologies to the current Dead, it was nice to hear it done by a group that can actually sing.
